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Symphonies Nos. 3 "The First of May" & 14
| Composer: | Dmitry Shostakovich |
| Conductor: | Oleg Caetani, Erina Gambarini, Ruben Jais |
| Solist: | Marina Poplavskaya, Mikkhail Davidov |
| Chorus: | Coro Sinfonico di Milano "Giuseppe Verdi" |
| Orchestra: | Orchestra Sinfonica di Milano "Giuseppe Verdi" |
| Genre: | Symphony |
| Label: | SACD |
| Booklet with lyrics/libretto: | yes |
| CDs / Unit: | 1 |
| Cat-Nr.: | 47723-8 |
| Total Time: | 74:45 |
| Recordingdate: | 04.06.2006 |
| Technologie: | Hybrid: 5+1 surround and stereo high resolution (DSD technique) + stereo CD layer |
| Release Date: | Sep 06 |
Description
The two symphonies on this disk share the use of sung text, which stands in contrary to most of the other Shostakovich Symphonies. The texts chosen for the construction of the fourteenth symphony are all presented in the Russian language which Shostakovich preferred most. They all point to an extremely negative vision of death, with echoes of desperation, solitude and images of repression.
The third Symphony however, which is also known as “The First of May”, seems to face up to the contrast between Shostakovich’s personality that tended towards pessimism, and the growing demand for optimism at all costs, as result of the splendours of the Revolution and the new Stalin model. As we all know, this also marks the well-known moment of serious rupture between the musician and the Soviet cultural establishment.
Like no other Oleg Caetani manages repeatedly to capture the composer’s mood. In this he is supported by the two soloists Marina Poplavskaya and Mikhail Davidov as well as the Coro and Orchestra Sinfonica di Milano Giuseppe Verdi. Please look forward to another splendid DSD 5+1 multichannel Hybrid SACD from ARTS!
Table of MP3 Tracks
| No. | Tracktitle | Track time | Price | put into basket |
|---|---|---|---|---|
| Disc 1 | ||||
| 1 |
1 (Allegretto) - 17
Symphony No. 3 in E flat major, op. 20 "The First of May" (1929)
Composers:
Dmitry Shostakovich
|
04.05 | 0,99 € | |
| 2 |
17 (Piů mosso) - 44
Symphony No. 3 in E flat major, op. 20 "The First of May" (1929)
Composers:
Dmitry Shostakovich
|
05.52 | 2,00 € | |
| 3 |
44 (Andante) - 52
Symphony No. 3 in E flat major, op. 20 "The First of May" (1929)
Composers:
Dmitry Shostakovich
|
04.33 | 0,99 € | |
| 4 |
52 (Allegro) - 88
Symphony No. 3 in E flat major, op. 20 "The First of May" (1929)
Composers:
Dmitry Shostakovich
|
05.35 | 2,00 € | |
| 5 |
88 (Andante) - 98
Symphony No. 3 in E flat major, op. 20 "The First of May" (1929)
Composers:
Dmitry Shostakovich
|
02.48 | 0,99 € | |
| 6 |
98 (Moderato) - End
Symphony No. 3 in E flat major, op. 20 "The First of May" (1929)
Composers:
Dmitry Shostakovich
|
04.31 | 0,99 € | |
| 7 |
I - De Profundis
Symphony No. 14 in g minor, op. 135 (1969)
|
04.00 | 0,99 € | |
| 8 |
II - Malaguena
Symphony No. 14 in g minor, op. 135 (1969)
|
03.16 | 0,99 € | |
| 9 |
III - Loreley
Symphony No. 14 in g minor, op. 135 (1969)
|
09.01 | 2,00 € | |
| 10 |
IV - The Suicide
Symphony No. 14 in g minor, op. 135 (1969)
|
06.12 | 2,00 € | |
| 11 |
V - Les Attentives I
Symphony No. 14 in g minor, op. 135 (1969)
|
03.09 | 0,99 € | |
| 12 |
VI - Les Attentives II (Look here Madame!)
Symphony No. 14 in g minor, op. 135 (1969)
|
01.50 | 0,99 € | |
| 13 |
VII - At the Santé prison
Symphony No. 14 in g minor, op. 135 (1969)
|
08.38 | 2,00 € | |
| 14 |
VIII - Reply of the Zaporozhean Cossacks to the Sultan of Constantinople
Symphony No. 14 in g minor, op. 135 (1969)
|
01.59 | 0,99 € | |
| 15 |
IX - O Delvig, Delvig!
Symphony No. 14 in g minor, op. 135 (1969)
|
04.03 | 0,99 € | |
| 16 |
X - The Poet's Death
Symphony No. 14 in g minor, op. 135 (1969)
|
04.01 | 0,99 € | |
| 17 |
XI - Conclusion
Symphony No. 14 in g minor, op. 135 (1969)
|
00.56 | 0,99 € | |
Reviews:
Frank Pandel / musicologistreviews (30.04.2007)
"A Sonic Spectacular"
klassik.com (30.04.2007)
Part of the Box-Set 47850-8:
"Caetani zeigt sich als Meister, Gegensätzliches herauszuarbeiten. Derselbe Takt klingt bei ihm zugleich düster und fröhlich. Er dirigiert sehr differenziert, für jeden Takt, ja für jede Note findet er einen eigenen Ausdruck. Ihm gelingen vielfältige hierarchische Spannungsbögen, weite, die über eine ganze Sinfonie reichen, stehen über kleineren, einen Satz oder noch kürzere Einheiten lang. Das Orchester ist sehr gut durchgehört und ausbalanciert, keine Stimme geht unter und hat ihre Bedeutung"
"Oleg Caetani manages to draw dramatic pictographic interpretations. Caetani is a maestro when in comes to compile opposed characters"
read complete review: http://magazin.klassik.com/reviews/reviews.cfm?TASK=REVIEW&RECID=9039&REID=6219&CFID=6103099&CFTOKEN=4eb08b48b439660c-9BF359B3-B2E8-F19A-3A69412C787C3E26
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